{"id":31247,"date":"2018-11-20T07:14:50","date_gmt":"2018-11-20T06:14:50","guid":{"rendered":"https:\/\/songfestival.be\/?p=31247"},"modified":"2018-11-19T11:27:17","modified_gmt":"2018-11-19T10:27:17","slug":"interne-audities-moeten-songfestivalkandidaat-azerbeidzjan-opleveren","status":"publish","type":"post","link":"https:\/\/songfestival.be\/en\/landen\/az\/interne-audities-moeten-songfestivalkandidaat-azerbeidzjan-opleveren\/","title":{"rendered":"Interne audities moeten Songfestivalkandidaat Azerbeidzjan opleveren"},"content":{"rendered":"<p class=\"post-p-lead\">Dit jaar stuurde Azerbeidzjan zangeres Aisel naar Lissabon. Ze kwam het beste uit de intern georganiseerde auditierondes. Die selectiemethode krijgt een vervolg.<\/p>\n<p>Volgens INFE Azerbeidzjan gaan de eerste audities door op woensdag 21 november. Nadat de vertegenwoordiger(s) gekozen is, start de zoektocht naar een geschikt lied. Dit jaar leverde dat het nummer\u00a0<strong><em>X My Heart<\/em><\/strong> op. Aisel miste er nipt de finale mee, ze werd elfde. Het was de eerste uitschakeling van het land in een halve finale.<\/p>\n<p>https:\/\/www.facebook.com\/INFEAzerbaijan\/posts\/1193839577438597:0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Lissabon leverde die selectiemethode geen succes op. <\/p>\n","protected":false},"author":4,"featured_media":27879,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[327],"tags":[4356,3772,1310,2807,2113,254,219,17,4446,4445,229,19,4213,4071],"class_list":["post-31247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-az","tag-4356","tag-aisel","tag-azerbeidzjan","tag-esc","tag-esf","tag-eurosong","tag-eurovisiesongfestival","tag-eurovision","tag-infe","tag-infe-network","tag-israel","tag-songfestival","tag-tel-aviv","tag-x-my-heart"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["nl","fr","en"],"languages":{"nl":{"title":true,"content":true,"excerpt":true},"fr":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/31247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/comments?post=31247"}],"version-history":[{"count":0,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/31247\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media\/27879"}],"wp:attachment":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media?parent=31247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/categories?post=31247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/tags?post=31247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}