{"id":3850,"date":"2016-01-22T08:26:32","date_gmt":"2016-01-22T07:26:32","guid":{"rendered":"https:\/\/songfestival.be\/?post_type=kortnieuws&#038;p=3850"},"modified":"2016-01-22T08:31:39","modified_gmt":"2016-01-22T07:31:39","slug":"afscheid-van-de-oude-natalia","status":"publish","type":"post","link":"https:\/\/songfestival.be\/en\/uncategorized\/afscheid-van-de-oude-natalia\/","title":{"rendered":"&#8216; farewell to the old Natalia &#8217;"},"content":{"rendered":"<p style=\"color: #D49D6E; font-weight: bold;\" class=\"post-p-lead\">* Automatically translated *<\/p>\n<div id=\"fb-root\"><\/div>\n<p class=\"lead\">Natalia is no longer the singer who she was when she was second in 2004 during <em>eurosong<\/em>. This year she says goodbye to the old Natalia.<\/p>\n<p>In February she sings with the Ladies of Soul \u2013 with Glennis Grace and Edsilia Rombley \u2013 in the Antwerp Sports Palace, a month later, she presents her new album titled <em>In My Blood<\/em>. In between, she will accompany new talent in <em>The Voice of Flanders<\/em> and in the summer they are touring.<\/p>\n<p>&#8216; This means a new beginning for me. I have read that I put in my new songs sound like Adele and that the sound is reminiscent of Mark Ronson. I myself have never said anything about the album &#8216;, according to Natalia that indicates that it has become a pop album with some soul and a prominent place for the guitar. &#8216; Those guitars were necessary because they fit instinctively, just as the lyrics. They are in line with my life because I do everything now softer and more sensitive &#8216;, she says.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Natalia would sound like Adele.<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[383,80],"class_list":["post-3850","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-ladies-of-soul","tag-natalia"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["nl","fr","en"],"languages":{"nl":{"title":true,"content":true,"excerpt":true},"fr":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/3850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/comments?post=3850"}],"version-history":[{"count":0,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/3850\/revisions"}],"wp:attachment":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media?parent=3850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/categories?post=3850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/tags?post=3850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}