{"id":59403,"date":"2023-01-01T09:00:29","date_gmt":"2023-01-01T08:00:29","guid":{"rendered":"https:\/\/songfestival.be\/?p=59403"},"modified":"2023-12-14T18:28:15","modified_gmt":"2023-12-14T17:28:15","slug":"feiten-en-cijfers-over-de-esc250-van-2022__trashed-2","status":"publish","type":"post","link":"https:\/\/songfestival.be\/en\/top-250-2022\/feiten-en-cijfers-over-de-esc250-van-2022__trashed-2\/","title":{"rendered":"Facts and figures about the 2022 &#8216;ESC250&#8217;"},"content":{"rendered":"<p class=\"post-p-lead\">After weeks of speculation on social media (would Loreen maintain her first place?), the full 2022\u00a0<em>Eurovision Top 250\u00a0<\/em>has finally been revealed. People massively voted for Chanel&#8217;s\u00a0<em>SloMo<\/em>. In spite of removing obviously manipulated and multiple votes from the same people, she still has a comfortable lead which enables her to push Loreen down to second place in our\u00a0<em>ESC250<\/em>. In this article, we outline some facts and figures about the ranking of past New Year&#8217;s Eve.<\/p>\n<p><strong><em>Most entries per country<\/em><\/strong><\/p>\n<p>With 11,314 sets of valid votes, we again broke all previous voting records. Entries from no less than <strong>49\u00a0different nations<\/strong> appear in the ranking &#8211; remarkable when you know that throughout Eurovision history a grand total of 52 countries have taken part. The only absent nations in the\u00a0<em>ESC250\u00a0<\/em>are <strong>Morocco<\/strong>, with their one entry\u00a0<em>Bitaqat hub\u00a0<\/em>by Samira Bensa\u00efd in 1980 (place 386), <strong>Andorra\u00a0<\/strong>(first entry at 271), in spite of their six entries, and <strong>Monaco<\/strong> (first entry at 345). On the other end of the spectrum, Sweden still holds the record for having the highest number of entries in the list, although their share dropped considerably from 25 in 2021 to &#8216;just&#8217; 17 in the most recent edition.<\/p>\n<p>Sweden is followed by Italy and Spain with 14 entries each and Greece with 13. The Netherlands has seven artists in the list, one more than Belgium. The highest ranked Dutchman is 2019 winner <strong>Duncan Laurence<\/strong> on #7 (#4 in 2021). Looking at Belgian participants, we see that Blanche and Lo\u00efc Nottet have effectively swapped places with Blanche now at #23, beating the\u00a0<em>Rhythm Inside\u00a0<\/em>singer at #26.<\/p>\n<p>When only taking into consideration <strong>the seven &#8216;OG&#8217; nations<\/strong> that took part in the very first Eurovision edition back in 1956, Italy has the highest number of entries in the\u00a0<em>ESC250\u00a0<\/em>(14), followed by the Netherlands and France with seven each.<\/p>\n<p><strong><em>Entries per decade<\/em><\/strong><\/p>\n<p>In 66 different editions of the Eurovision Song Contest and also taking the cancelled 2020 edition into account, 49 years have at least one entry in the list. The following years have no entries in the top 250:\u00a01956, 1957, 1960, 1961, 1962, 1964, 1966, 1967, 1968, 1970, 1972, 1976, 1980, 1981, 1982, 1985, 1986 en 1989. This means that <strong>every year from 1990 onwards appears at least once<\/strong>. Whereas 1959 and 2002 were not featured in the\u00a0<em>ESC250\u00a0<\/em>in 2021, they succeeded the next year thanks to Birthe Wilke&#8217;s\u00a0<em>Uh, jeg ville \u00f8nske jeg var dig\u00a0<\/em>(Denmark) and Rosa&#8217;s\u00a0<em>Europe&#8217;s Living a Celebration\u00a0<\/em>(Spain). Thus, two of the four 1950s editions appear in the list. For other decades, the overview is as follows:<\/p>\n<ul>\n<li>60s: 3<\/li>\n<li>70s: 8<\/li>\n<li>80s: 6<\/li>\n<li>90s: 33<\/li>\n<li>00s: 47<\/li>\n<li>10s: 91<\/li>\n<li>20s: 60<\/li>\n<\/ul>\n<p><strong><em>Rises, drops and newcomers<\/em><\/strong><\/p>\n<p>The best scoring edition in the current\u00a0<em>ESC250<\/em>, to the surprise of literally no one, is the 2022 edition held in Turin, with 28 entries in the list and including the new number one, Chanel&#8217;s <em>SloMo<\/em>. Compared to the 2021 edition, 44 other, older Eurovision songs have entered the ranking, including the Dutch 1978 entry\u00a0<em>&#8216;t Is OK\u00a0<\/em>as the new #250. The biggest riser (+1067 places) is\u00a0M\u0103lina Olinescu with\u00a0<em>Eu cred\u00a0<\/em>(Romania 1998). Two 2021 entries show the biggest drops with 137 places each: Moldova&#8217;s Natalia Gordienko with\u00a0<em>Sugar\u00a0<\/em>and Lithuania&#8217;s The Roop with\u00a0<em>Discoteque<\/em>.<\/p>\n<p><strong><em>Winners<\/em><\/strong><\/p>\n<p>The 2022 top 250 feature 31 winning entries, five less than in 2021. The highest is Loreen&#8217;s <em>Euphoria<\/em> (Sweden 2012), now ranked second, with the lowest being Marie Myriam&#8217;s\u00a0<em>L&#8217;oiseau et l&#8217;enfant\u00a0<\/em>(France 1977) at #204. Kalush Orchestra, the winner of 2022, enters the list at number 39. Compared to 2021, the number of winners that made the top 20 dropped from eight to six, with the three Scandinavian 1974, 1995 and 2015 winners ABBA, Secret Garden and M\u00e5ns Zelmerl\u00f6w pushed out. Helena Paparizou&#8217;s winning 2005 entry for Greece\u00a0<em>My Number One<\/em>, however, rose from #31 to #20. The very first Eurovision winner, Lys Assia, only ranks at number 772 with her entry\u00a0<em>Refrain<\/em>, dropping nearly 200 places (#587 in 2021). Her other 1956 entry,\u00a0<em>Das alte Karussell<\/em>, only ranks 1322nd with three points.<\/p>\n<p><em><strong>The best scoring entries per year of the 21st century<\/strong><\/em><\/p>\n<ul>\n<li><span class=\"s3\"><strong>2001<\/strong>: Antique \u2013 <em>Die for You<\/em> \u2013 Greece (#53)<\/span><\/li>\n<li><span class=\"s3\"><strong>2002<\/strong>: Rosa &#8211; <em>Europe&#8217;s Living a Celebration <\/em>&#8211; Spain (#206)<br \/>\n<\/span><\/li>\n<li><span class=\"s3\"><strong>2003<\/strong>: Beth \u2013 <em>Dime<\/em>\u00a0\u2013 Spain (#8)<\/span><\/li>\n<li><span class=\"s3\"><strong>2004<\/strong>: \u017deljko Joksimovic \u2013 <em>Lane moje<\/em> \u2013 Serbia &amp; Montenegro (#54)<\/span><\/li>\n<li><span class=\"s3\"><strong>2005<\/strong>: Helena Paparizou \u2013 <em>My Number One<\/em> \u2013 Greece (#20)<\/span><\/li>\n<li><span class=\"s3\"><strong>2006<\/strong>: Lordi \u2013 <em>Hard Rock Halleluja<\/em>\u00a0\u2013 Finland (#51)<\/span><\/li>\n<li><span class=\"s3\"><strong>2007<\/strong>: Marija \u0160erifovic \u2013 <em>Molitva<\/em> \u2013 Serbia (#27)<\/span><\/li>\n<li><span class=\"s3\"><strong>2008<\/strong>: Kalomira \u2013 <i>Secret Combination<\/i> \u2013 Greece (#99)<\/span><\/li>\n<li><span class=\"s3\"><strong>2009<\/strong>: Alexander Rybak \u2013 <em>Fairytale<\/em> \u2013 Norway (#16)<\/span><\/li>\n<li><span class=\"s3\"><strong>2010<\/strong>: maNga \u2013 <em>We Could Be the Same<\/em> \u2013 Turkey (#34)<\/span><\/li>\n<li><span class=\"s3\"><strong>2011<\/strong>: Eric Saade \u2013 <em>Popular<\/em> \u2013 Sweden (#76)<\/span><\/li>\n<li><span class=\"s3\"><strong>2012<\/strong>: Loreen \u2013 <em>Euphoria<\/em> \u2013 Sweden (#2)<\/span><\/li>\n<li><span class=\"s3\"><strong>2013<\/strong>: Emmelie de Forest \u2013 <em>Only Teardrops<\/em> \u2013 Denmark (#43)<\/span><\/li>\n<li><span class=\"s3\"><strong>2014<\/strong>: Ruth Lorenzo \u2013 <em>Dancing In The Rain<\/em> \u2013 Spain (#33)<\/span><\/li>\n<li><span class=\"s3\"><strong>2015<\/strong>: Il Volo \u2013\u00a0<em>Grande Amore<\/em> \u2013 Italy (#21)<\/span><\/li>\n<li><span class=\"s3\"><strong>2016<\/strong>: Jamala \u2013 <em>1944<\/em> \u2013 Ukraine (#15)<\/span><\/li>\n<li><span class=\"s3\"><strong>2017<\/strong>: Blanche &#8211; <em>City Lights<\/em> \u2013 Belgium (#23)<\/span><\/li>\n<li><span class=\"s3\"><strong>2018<\/strong>: Eleni Foureira \u2013 <em>Fuego<\/em> \u2013 Cyprus (#4)<\/span><\/li>\n<li><span class=\"s3\"><strong>2019<\/strong>: Duncan Laurence \u2013 <em>Arcade<\/em>\u00a0\u2013 Netherlands (#7)<\/span><\/li>\n<li><span class=\"s3\"><strong>2020<\/strong>: Diodato \u2013 <em>Fai rumore<\/em> \u2013 Italy (#9)<\/span><\/li>\n<li><strong>2021<\/strong>: M\u00e5neskin &#8211; <em>Zitti e buoni<\/em> &#8211; Italy (#5)<\/li>\n<li><strong>2022:<\/strong> Chanel &#8211; <em>SloMo<\/em> &#8211; Spain (#1)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A detailled look at the ESC250 of 2022.<\/p>\n","protected":false},"author":12914,"featured_media":59394,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6290],"tags":[6020,6021,2807,2113,254,6186,6244,3400,6245,219,17,6247,4925,4926,6284,6283,5802,6128,19,6190,6242,6246,6243],"class_list":["post-59403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-top-250-2022","tag-belgie-eurosong","tag-belgie-songfestival","tag-esc","tag-esf","tag-eurosong","tag-eurosong-2023","tag-eurosong-verenigd-koninkrijk","tag-eurosongfestival","tag-eurosongfestival-2023","tag-eurovisiesongfestival","tag-eurovision","tag-eurovision-uk","tag-gastland-songfestival","tag-gaststad-songfestival","tag-liverpool-eurosong","tag-liverpool-songfestival","tag-maneskin","tag-sam-ryder","tag-songfestival","tag-songfestival-2023","tag-songfestival-engeland","tag-uk-songfestival","tag-vk-2022"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["nl","fr","en"],"languages":{"nl":{"title":true,"content":true,"excerpt":true},"fr":{"title":false,"content":false,"excerpt":false},"en":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/59403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/users\/12914"}],"replies":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/comments?post=59403"}],"version-history":[{"count":14,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/59403\/revisions"}],"predecessor-version":[{"id":59405,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/59403\/revisions\/59405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media\/59394"}],"wp:attachment":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media?parent=59403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/categories?post=59403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/tags?post=59403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}