{"id":7080,"date":"2016-04-06T09:00:33","date_gmt":"2016-04-06T07:00:33","guid":{"rendered":"https:\/\/songfestival.be\/?p=7080"},"modified":"2016-04-07T12:34:09","modified_gmt":"2016-04-07T10:34:09","slug":"dsvs-onze-experts-over-letland-litouwen-polen","status":"publish","type":"post","link":"https:\/\/songfestival.be\/en\/dsvs-2016\/dsvs-onze-experts-over-letland-litouwen-polen\/","title":{"rendered":"DSVS: Our experts have to say about Latvia, Lithuania & Poland"},"content":{"rendered":"

Unfortunately this article is not available in English and has been automatically translated. Please visit our homepage<\/a> for all English content or get an overview of all English articles here<\/a>. You can also request a translation by sending us an email<\/a>.<\/p>\n

Today on offer: Justs, Donny and Micha\u0142, Poland, Lithuania and Latvia respectively.<\/p>\n

Yesterday our experts critiqued the songs from Australia, Ireland and Israel. Their opinions about that here<\/a> you can read back.<\/p>\n

Latvia: Justs \u2013 Heartbeat<\/em> <\/strong><\/p>\n

\n
\n\"play\"\n<\/div>\n<\/div>\n

Stijn De Guzman:<\/strong> After last year’s thinking the Watch again Aminata out-of-the-box with a contemporary contribution. This somewhat monotonous song would you rather on a unchristian hours in a sweaty nightclub in Riga<\/strong> expect on this songs Festival. I find it a fascinating entry mine high may end. Whether it will be able to Captivate viewers three minutes long, that remains to be seen.<\/p>\n

Fabian Faber:<\/strong> This song is definitely not bad, but my positive Outlook on. It is not enough on<\/strong> by the gentle production and an artist which I have the impression that he for the first time on a stage. Represent our country when I went I was crammed to my song with an act which made it complete. Fire, illusions, POWER … this I miss so hard …<\/p>\n

Fabio Ponente:<\/strong> Look, I mean exactly with this innovative. This sound is definitely my thing and a revelation for the Eurovision song contest, especially with the Nice deep electro sounds<\/strong> that are very compelling. The singer sings the song good and emotional … This is certainly a dangerous contender as far as I’m concerned.<\/p>\n

Roy Van der Merwe:<\/strong> This will I may be in a minority, but I don’t understand why many are so lyrical about this song. I hear barely a perceptible melody. Heartbeat <\/em>reminds me of Love Injected <\/em>last year<\/strong>, whatever I didn’t like \u2013 but that reached the top-10. That is why I have confidence that this will do well, though not Justs my heart rate beat faster.<\/p>\n

Ellen Volders:<\/strong> Heartbeat<\/em> starts futuristic. A strong singer, and a special and contemporary number. You love it or you hate it.<\/em><\/strong> I belong rather to the second camp. Our last year also brought a surprising and Lo\u00efc alternative number, which I much more likely gave to the victory. But the final is there anyway in, even perhaps a place in the top-10.<\/p>\n

Lithuania: Donny Montell \u2013 I’ve Been Waiting for This Night<\/em> <\/strong><\/p>\n

\n
\n\"play\"\n<\/div>\n<\/div>\n

Stijn De Guzman:<\/strong> The more entries I hear, the more often I feel that I get to the Ultratop 50 <\/strong>to listening. The time that the contest devastated oubolligheid and kitsch is clearly beyond. The intro of this song has a very high Let it go<\/em>-content while the chorus then again from the OneRepublic-continuity. Donny is a smooth boy with a nice snoot, but will he his fourteenth place from 2012 can match without its glittering blindfold?<\/p>\n

Fabian Faber:<\/strong> I believe what I hear and what I see. A catchy song<\/strong> and a chorus that immediately hangs. When the chorus comes along for the second time I sing it spontaneously. And that is an important factor for a song, if you only have 3 minutes to convince the public.\u00a0 Only I had after the infectious hit-moment the song fully open. It would the song still have made just a little more Eurovision<\/p>\n

Fabio Ponente:<\/strong> A very strong set of songs this week, if I may say. This has been a handsome and dramatic song with an enticing climax<\/strong>. I’m a big fan of numbers like this that a depth, but also for the necessary fire. And if it may be said: Donny is also a beautiful appearance, which also helps.<\/p>\n

Roy Van der Merwe:<\/strong> I find this song better than his previous submission, Love Is Blind <\/em>from 2012. Yet it is not the song that I’ve been waiting for. After Lithuania last year surprised me by my favorite of the year off, I had hoped that they would do even better this year, so they would win and I might go next year to Vilnius. However, I see this go to the final and a place in the top-10<\/strong> decorating, unless all male singers hurt each other and divide the points.<\/p>\n

Ellen Volders:<\/strong> Abort Donny Montell for me no pots. He has however his looks and his moves with it, but certainly not the poppy<\/em> number excels in originality. But maybe you don’t have to. This song is sure to the final<\/strong>, but makes little impression for the victory.<\/p>\n

POLAND: Micha\u0142 Szpak \u2013 Colour of Your Life<\/em> <\/strong><\/p>\n

\n
\n\"play\"\n<\/div>\n<\/div>\n

Stijn De Guzman:<\/strong> The tear-jerker of the Polish cross between a dandy circus Director and a hip contemporary seventeenth century King sounds after one minute all terribly corny. His shrill voice can make me absolutely not. Obviously a pee-and\/or twitterpauze<\/strong>.<\/p>\n

Fabian Faber:<\/strong> A song me precious little does and as there are so many in recent years have passed without noteworthy result. And I fear that this song for Poland a same result. A song where I do not think Europe really is on waiting<\/strong>.<\/p>\n

Fabio Ponente:<\/strong> Initially it sounds very promising, but then it falls completely silent. Although the singer has very beautiful eyes that are very engaging, the number OK without more<\/strong>. Vocal is all mustache, but the problem lies in the number itself, which too classic. I believe that this is the final can pick up, but without the scoreboard on fire.<\/p>\n

Roy Van der Merwe:<\/strong> I am very glad that the Poland the favorite Margaret in the preliminary round. This song is very easy in the hearing and the singer has a very pleasant voice. I’m not wild about his long hair, but he fits in well with Ivan in that area from Belarus. I think many voters this fall, and this will easily reach the final by punches.<\/p>\n

Ellen Volders:<\/strong> If you can say something by Michal, is it that he has style. In addition, Woows<\/em> are the best thing in the number, but it remains a clich\u00e9 song<\/strong> and with which he lulls me to sleep. The number that I quickly take time would take to a puddle break. Next<\/em>!<\/p>\n

Watch our experts Tomorrow <\/strong>to the songs from Serbia, (FYR) Macedonia, Belarus and Switzerland.<\/p>\n","protected":false},"excerpt":{"rendered":"

Three men later today.<\/p>\n","protected":false},"author":5,"featured_media":7137,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1685,347,348,358],"tags":[1683,883,1684,390,1376,207,884,1627,623,172,819],"class_list":["post-7080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dsvs-2016","category-lv","category-lt","category-pl","tag-de-stem-van-songfestival-be","tag-donny-montell","tag-dsvs","tag-eurovisiesongfestival-2016","tag-justs","tag-letland","tag-litouwen","tag-michal-szpak","tag-polen","tag-songfestival-2016","tag-stockholm-2016"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["nl","fr","en"],"languages":{"nl":{"title":true,"content":true,"excerpt":true},"fr":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/7080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/comments?post=7080"}],"version-history":[{"count":0,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/7080\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media\/7137"}],"wp:attachment":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media?parent=7080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/categories?post=7080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/tags?post=7080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}