{"id":8068,"date":"2016-05-03T12:00:20","date_gmt":"2016-05-03T10:00:20","guid":{"rendered":"https:\/\/songfestival.be\/?p=8068"},"modified":"2016-05-06T11:44:09","modified_gmt":"2016-05-06T09:44:09","slug":"2e-repetitiedag-estland-azerbeidzjan-en-montenegro","status":"publish","type":"post","link":"https:\/\/songfestival.be\/en\/stockholm2016\/stockholm-2016-repetities-qx\/2e-repetitiedag-estland-azerbeidzjan-en-montenegro\/","title":{"rendered":"2nd rehearsal day: Azerbaijan, Estonia, Montenegro"},"content":{"rendered":"<p style=\"color: #D49D6E; font-weight: bold;\" class=\"post-p-lead\">Unfortunately this article is not available in English and has been automatically translated. Please visit our <a href=\"http:\/\/songfestival.be\/en\/\">homepage<\/a> for all English content or get an overview of all English articles <a href=\"http:\/\/songfestival.be\/en\/english\">here<\/a>. You can also request a translation by sending us an <a href=\"mailto:info@songfestival.be\">email<\/a>.<\/p>\n<p>Rehearsals continue with the first time on stage by J\u00fcri Pootsmann, Samra and Highway.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Estonia<\/strong><\/span><\/p>\n<div class=\"youtube\" data-embed=\"XiqProXCLiw\" data-time=\"0\">\n<div class=\"play-button\">\n<img decoding=\"async\" class=\"play-button\" alt=\"play\" src=\"https:\/\/songfestival.be\/wp-content\/themes\/songfestival\/img\/play.svg\" \/>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/songfestival.be\/kandidaten\/stockholm-2016-estland\/\">J\u00fcri Pootsmann<\/a> bears a striking blue suit and glasses. The singer convinces in the first rehearsal is not functioning properly. Vocal is there is still work to be done, and he needs to get some better learn the way to the cameras. The stage has yellow and brown tones and has, flanked by all kinds of red-colored patterns. Playing cards are the central theme in the act. J\u00fcri will still have to lend a hand, stepping up in the second rehearsal.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Azerbaijan<\/strong><\/span><\/p>\n<div class=\"youtube\" data-embed=\"3xDd70HvDvc\" data-time=\"0\">\n<div class=\"play-button\">\n<img decoding=\"async\" class=\"play-button\" alt=\"play\" src=\"https:\/\/songfestival.be\/wp-content\/themes\/songfestival\/img\/play.svg\" \/>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/songfestival.be\/kandidaten\/stockholm-2016-azerbeidzjan\/\">Samra <\/a>is a pleasant appearance, but that is the most positive said. Her vocal presentations seem to have a bad day, but also the occurrence and camera work are rather messy. The stage is dark with yellow flashes that appear on lightning strikes. The singer is flanked by four dancers, who with their mic-stands play like that ten years ago at the backings of Kate Ryan happened. A harbinger?<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Montenegro<\/strong><\/span> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8151 size-large\" src=\"https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Samra-1024x683.jpg\" alt=\"Samra\" width=\"800\" height=\"534\" srcset=\"https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Samra-1024x683.jpg 1024w, https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Samra-300x200.jpg 300w, https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Samra.jpg 1200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/> <\/img><\/p>\n<div class=\"youtube\" data-embed=\"BLxvwbzrbfo\" data-time=\"0\">\n<div class=\"play-button\">\n<img decoding=\"async\" class=\"play-button\" alt=\"play\" src=\"https:\/\/songfestival.be\/wp-content\/themes\/songfestival\/img\/play.svg\" \/>\n<\/div>\n<\/div>\n<p>The <a href=\"https:\/\/songfestival.be\/kandidaten\/stockholm-2016-montenegro\/\">Highway <\/a>group copy his video clip literally to the Eurovision stage. The whole is very match report about it. The stage setting is very dark, making the performers themselves barely into focus. There is thus no single connection or interaction with each other and with the viewers at home.\u00a0<em>The Real Thing <\/em>comes not from the paint during the first rehearsal, and threatens to drown during the other songs during the live final.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8167 size-large\" src=\"https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Highway-1024x683.jpg\" alt=\"Highway\" width=\"800\" height=\"534\" srcset=\"https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Highway-1024x683.jpg 1024w, https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Highway-300x200.jpg 300w, https:\/\/songfestival.be\/wp-content\/uploads\/2016\/05\/Highway.jpg 1200w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Photos: Andres Putting \u2013 Thomas Hanses \u2013 eurovision.tv\/EBU<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estonia, Azerbaijan, Montenegro<\/p>\n","protected":false},"author":4,"featured_media":8064,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1263,327,337,386,354,9],"tags":[],"class_list":["post-8068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stockholm-2016-repetities-qx","category-az","category-ee","category-landen","category-me","category-stockholm2016"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["nl","fr","en"],"languages":{"nl":{"title":true,"content":true,"excerpt":true},"fr":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/8068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/comments?post=8068"}],"version-history":[{"count":0,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/posts\/8068\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media\/8064"}],"wp:attachment":[{"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/media?parent=8068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/categories?post=8068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/songfestival.be\/en\/wp-json\/wp\/v2\/tags?post=8068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}